Decorative objects to place: create a balanced setting

The object only takes on full meaning when it enters into a relationship with a place, a light, a use. This is the role of objects to be placed: to reveal an atmosphere, to tell a story without words.

Whether in a hotel lobby, a private bedroom, or a domestic living room, these elements—whether sculpted, raw, metallic, or organic—give the space a new depth.

1. The art of the right balance

Too often, we believe we must furnish every surface. But a beautiful composition is constructed like a breath : an alternation of full and empty spaces, of subtle contrasts. A dark wooden tray, a marble ball, a small blown glass vase: the key is to vary shapes, heights, textures .

The right balance is about visual breathing: leaving space between objects is as important as the objects themselves.

2. The right materials: natural materials, sculptural forms

Objects chosen for their materials—cut stone, brushed brass, raw wood, smoked glass—have a distinctive presence. They absorb or reflect light, change throughout the day, and create a silent rhythm. Unlike standardized accessories, they invite touch, observation, and contemplation.

Examples of objects to place:

• A semi-precious stone ball, placed alone on a console
• A minimalist sculpture in blackened wood
• A large smoked glass tea light holder, to be used alone or in pairs
• A sculptural hammered metal candlestick

3. A staging by thirds or by contrast

The human eye instinctively perceives groups of three as harmonious. A base (plant or tray), a central volume (vase or statue), a light (candle, tealight): it's a balanced trio.

But we can also play the single monolith: a large decorative leaf on a coffee table, an imposing lantern in an empty corner, a glass bell on a base as a sculptural object.

Less is more. But that “less” still has to make sense.

4. Where to put these objects? Some suggestions

• On a low table : a tray, a few candles and a book with an ornate cover
• In a wall niche or bookcase : a statue, a discreet mirror, or a rare object
• On an entrance hall : a lantern, a carved wooden pocket emptier, a decorative ball
• Around a bed : a pair of tealight holders and a beautiful light fixture that stands out with its soft shape.

The right object, rather than accumulation

A single, well-chosen object can have more impact than a cluttered ensemble. This is where character comes into play.
At Koddel, we favor:

• simple but powerful shapes

• noble or living materials (glass, wood, raw metal)

• handcrafted finishes

  • Example: An aged brass candlestick placed alone on a bedside table can be enough to set the tone for an entire room.

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Koddel Selection: 3 objects to place with intention

1. The Rainy Grey blown vase : for its slightly blurred texture and generous silhouette.

2. The black oak figurine : fine and graphic, perfect for a shelf or desk.

3. The hammered bronze tray : to hold candles, dried flowers or even an art book.

Composing a scene with poseable objects is neither a rigid exercise nor an exact science. It's a discreet language. A way of expressing who you are, without giving too much away.
It is also a way of experiencing the object differently: not as a possession, but as a point of balance in everyday life.

At Koddel, each object is designed to be seen, touched, moved, and experienced. To be placed, but never frozen.